Aurora DSP Everything Bundle – All Their Guitar & Bass Amps for $49.99

Buying guitar plugins one amp at a time is a slow way to spend a lot of money. The Aurora DSP Everything Bundle takes the other route: the developer’s complete catalogue — every amplifier model, cabinet simulation and effect they make — in a single $49.99 purchase covering guitar and bass, clean through high gain. Aurora DSP has built its name on amp emulations that respond like hardware, with the dynamic, touch-sensitive feel that separates a plugin you play from a plugin you tolerate, and this bundle is that reputation in its entirety.

Every Amp in the Building

The collection spans the full gain range a working guitarist actually needs. Clean models for articulate chord work, crunch voicings for blues and classic rock, and high-gain channels that hold together under fast, palm-muted playing rather than dissolving into fizz. Bass is treated as a first-class citizen rather than an afterthought, with dedicated models voiced for low-end instruments — important, because bass tracked through guitar-amp thinking usually ends up thin or boomy. An extensive factory preset library across classic rock, metal, blues, jazz, funk and modern styles gives you starting points that were clearly built by people who play, and every preset is a door into the rig rather than a destination.

Cabinets and the Room

Amp heads are only half the sound; the cabinet and microphone decide what the listener hears. The bundle’s premium impulse-response cabinets offer multiple microphone positions, so you can move the virtual mic the way an engineer moves a real one — closer for aggression, off-axis for smoothness, further back for room. A flexible rig configurator lets you assemble your own signal paths: preamp, amp, cab and effects in the order your ears prefer, saved as your personal defaults. The result is a tone workshop rather than a preset player.

Effects, Latency and Stage Use

The built-in effects chain covers the working essentials — overdrive and boost for pushing the amps, compression, delay, reverb, chorus and further modulation — so a complete rig lives inside one plugin instance. The DSP is optimised for low latency, which matters twice: at home, where a sluggish plugin makes practice miserable, and on stage, where laptop rigs are now a legitimate way to tour with consistent tone. Producers re-amping direct recordings will appreciate the same qualities from the other side of the glass: hand the plugin a dry DI track and it returns something that sounds like a mic’d cabinet in a decent room.

Who Buys the Whole Catalogue

Recording guitarists who cover multiple genres stop maintaining a folder of single-amp plugins. Home-studio producers tracking guitar and bass direct get one consistent environment for both. Live players get a full rig that fits in a laptop bag and sounds identical every night. And mix engineers who receive DI tracks get a rescue kit that does not announce itself as software. For all of them, the bundle format is the point: no auditioning fifteen separate purchases, no discovering the amp you actually needed was the one you skipped.

Re-amping deserves a specific mention, because it is where a complete catalogue quietly pays rent. Producers who receive DI guitar and bass tracks from clients can audition the entire Aurora range against the actual mix, print the winner, and recall the exact rig months later for a revision. No re-booking a guitarist, no approximating a tone from memory — the session file remembers the rig perfectly, which is a kind of reliability hardware cannot offer at any price.

The Deal

$49.99 for a developer’s complete amp, cab and effects output — on Mac and Windows, in AU, VST3 and AAX — prices the whole room below what a single flagship amp plugin usually costs. If your guitar tones come from software at all, this is the bundle that ends the shopping.