KORG Collection 5 – The Legendary Synth Archive for $49.99
KORG’s own hall of fame, modelled by KORG: Collection 5 brings the MS-20, Polysix, Mono/Poly, M1, Triton and ARP Odyssey back as plugins with 3,000+ presets for $49.99.
These are the machines that shaped electronic music and ’90s production, recreated with circuit-level modelling and modern enhancements — one suite, one price.
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Description
Some back catalogues are just history. KORG’s is a working vocabulary: the MS-20’s screaming filter, the Polysix’s lush pads, the M1 piano that lives on a thousand house records, the Triton workstation that powered a decade of hits. KORG Collection 5 gathers the company’s legendary instruments into one plugin suite, modelled by the only people who have the original schematics — KORG themselves — using their Component Modeling Technology to recreate the circuits, not just sample the outputs.
The Machines
The MS-20 brings raw, aggressive analog synthesis with its patchable interface and a filter that has launched a thousand techno tracks. The Polysix is the vintage six-voice polysynth — warm basses, wide pads, the sound of early-80s polyphony before it got expensive. The Mono/Poly hybrid switches between monophonic bite and four-voice polyphonic play for leads that need both. Then the digital era: the M1, the workstation that changed what one keyboard could do and defined the sound of late-80s and 90s production, and the Triton, its successor and a hit-making fixture in its own right — both shipping with their famous expansion card content, the sounds that are literally on the records. The ARP Odyssey completes the set with a faithful recreation of the classic duophonic synth.
Modelled Circuits, Modern Manners
CMT modelling is why these recreations behave like instruments rather than recordings: the interactions between components — the way the MS-20’s filter resonance feeds back, the way analog voices drift — are simulated, so the plugins respond to playing the way the hardware does. On top of the vintage behaviour sit modern enhancements the originals never had: extended polyphony, high-resolution effects and filter refinements, full MIDI automation for expressive performance, and a library of over 3,000 factory presets spanning EDM, pop, hip-hop and cinematic work. CPU use is optimised for large projects, and the interfaces resize to fit your workflow rather than the other way around.
Who It Serves
Electronic producers who want authentic vintage KORG tone — the specific flavour behind decades of records — rather than generic ‘analog-style’ presets. Composers and sound designers adding cinematic texture with instruments that carry real history. Beatmakers after the M1 and Triton sounds that hip-hop and R&B never stopped using. Live performers who need the rig without the flight cases. The collection runs as VST3, AU and AAX on macOS 10.14+ and Windows 10+, in Ableton Live, FL Studio, Logic Pro, Pro Tools, Cubase and Studio One.
There is a completeness argument that matters with heritage collections. Buying vintage emulations one instrument at a time leaves the awkward gaps — you own the analog monosynth but not the workstation, the polysynth but not the duophonic oddity — and every gap is a sound you end up approximating with the wrong tool. Collection 5 is the whole shelf: analog and digital, mono and poly, performance synths and workstations, with the expansion content that made the digital machines famous. Producers who grew up on these sounds get them back authentically; producers who did not get an education in why these instruments are on so many records, playable in their own sessions.
The Deal
Six legendary instruments and 3,000-plus presets for $49.99. The hardware originals — where they can be found at all — cost thousands each and come with maintenance bills; the software recreations are built by the original manufacturer to circuit level. If KORG’s sound is anywhere in your musical DNA, or you want it to be, this is the definitive version of that archive at a price that makes collecting it instrument by instrument look unnecessary. Instant delivery.
Every instrument in the suite is also fully automatable inside your DAW, so those vintage filters and workstation layers can move with the arrangement — heritage sound, modern production grammar.
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