Very Loud Indeed Omnisphere Bundle – 9 Cinematic Libraries, Now 60% Off

Omnisphere owners know the pattern: the factory library is enormous, yet scoring work always seems to demand one texture it does not quite contain. The Very Loud Indeed Co. has built its reputation filling exactly that gap, and this bundle collects nine of its cinematic libraries for $39.99 instead of $99.99 — a clean 60% off, and less than a single soundset costs from most boutique designers. Inside are Snowfall, Fjall, Cima, Cobalt, Corvus, Niebla, Specto, Virtaus and Altura (SCENE): nine thematically distinct collections of hybrid scoring sounds, evolving pads, cinematic textures and ambient atmospheres, programmed exclusively for Spectrasonics Omnisphere and built from custom sound sources rather than recycled factory material.

Nine Libraries, One Scoring Toolkit

Each library carries its own climate. The names hint at the terrain — snowfields, mountains, ravens, mist — and the programming follows through with cold, spacious, slow-moving material that sits naturally under picture. Across the nine sets you will find cinematic pads that evolve over long holds without looping fatigue, atmospheric textures that add depth and movement to static scenes, hybrid drones built for suspense and science fiction, motion pulses that supply trailer rhythm without a percussion session, organic soundscapes, deep basses and modern synth leads for the moments a cue needs to step forward. The programming uses Omnisphere’s engine properly: custom sound sources feed the patches, and expressive performance controls with professional mod wheel programming mean the presets move when you play them, opening up under the wheel instead of sitting as static snapshots. Everything is voiced to be ready to mix, so a texture can travel from browser to timeline without a rescue operation in EQ and compression before it earns its place in a cue.

Who This Bundle Serves

The obvious audience is media composers — film and television scoring, trailers, documentaries and game audio, where hybrid material like this is the daily currency. Trailer producers get the pulses and drones; underscore composers get pads and atmospheres that leave room for dialogue; game audio designers get evolving beds that can sit under exploration for minutes without announcing themselves. Documentary work benefits in particular, because the organic soundscapes support narration without competing with it. Electronic producers working in ambient and cinematic styles will find the same material doubles as record-ready texture, and hybrid orchestral writers can use the basses and leads as the synthetic layer their arrangements keep asking for. With hundreds of presets spread across nine libraries, the bundle behaves less like a single purchase and more like a shelf you keep returning to across projects: the cold pad for one cue, the pulsing texture for the next, the drone that quietly ties a whole sequence together.

The Deal

Nine libraries at $39.99 works out at under four and a half dollars per soundset, against a combined regular price of $99.99 — a $60 saving on a catalogue that would normally be bought one library at a time, usually mid-project and at full price. The single requirement is Spectrasonics Omnisphere, which the bundle is programmed for, running on Windows or Mac. If Omnisphere already lives in your rig and cinematic work is anywhere on your calendar, the board logic is straightforward: a respected designer’s custom-source catalogue at 60% off. Complete multi-library bundles go on sale far less often than single products do, and this one covers a great deal of scoring ground for less than the cost of a single rushed full-price purchase later. Buying the libraries one at a time across a year of projects is how most composers end up owning them anyway; the bundle simply moves the whole shelf into your account today, at the bundled price, with every library installed and ready the next time a brief lands.