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The Very Loud Indeed Omnisphere Presets Bundle – 1,800 Patches, Now 60% Off

SKU: VERY-LOUD

Fifteen cinematic Omnisphere soundsets in one purchase: 1,800 patches built from custom-recorded sound sources, spanning atmospheric, electronic, organic and experimental territory — Saga, Mirai, Corvus, Cobalt, Snowfall and ten more, for $39.99.

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Original price was: $99.99.Current price is: $39.99.

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Description

Do the smallest maths on this board first: $39.99 divided by 1,800 patches is about 2.2 cents per patch. The Very Loud Indeed Omnisphere Presets Bundle collects 15 cinematic soundsets into one library — 1,800 patches built from custom-recorded sound sources rather than recycled synth waveforms — and it is marked down from $99.99, a 60% cut. Omnisphere is an instrument that rewards distinctive source material above almost anything, and this bundle is essentially a warehouse of distinctive source material, delivered in one purchase instead of fifteen.

Fifteen Soundsets, One Browser

The full roster reads like a scoring department’s shelf: Saga, Mirai, Corvus, Cobalt, Cima, Snowfall, Gunk, Specto, Niebla, Fjall, Virtaus, Grotto, Altura, Irazu and Grafos. The headline sets show the range. Omnisphere Saga contains 120 cinematic patches built from 121 exclusive sound sources, based around organic recordings — string instruments and other acoustic sources, heavily processed into unusual cinematic textures for productions that need organic character rather than conventional synthesis. Omnisphere Mirai also carries 120 patches, from 128 exclusive sound sources, and points the other way: cyberpunk and retro-electronic influence, completely sample-based, using complex wavetables created from other synthesizers and transformed into new sources. Omnisphere Cima adds another 120 patches and 122 sources focused on processed organic recordings, positioned for tension, dark drama and horror-oriented scoring.

Why Breadth Is The Feature

A single soundset, however good, has a centre of gravity, and a composer working across cues hits its edges quickly. Fifteen sets built from custom-recorded sources approach sound design from genuinely different directions — organic and synthetic, atmospheric beds and electronic tones, underscore atmosphere and trailer tension, sound-design punctuation and experimental patches. For media composers the practical value is coverage inside one browser: the search for a starting point for a melody, a pad, a transition or a cue stays inside material that shares a production standard without sharing a single mood. The bundle may also change in size as the developer adds further Omnisphere products to its catalogue, so the collection is not necessarily frozen at the day of purchase. One requirement is absolute: you need a licensed copy of Omnisphere 2.8 or newer — the bundle is also compatible with Omnisphere 3 — because these are patches and sources for Spectrasonics’ instrument, not a standalone library.

Who Should Grab It

If Omnisphere is your main sketchpad for film, television, game or trailer work, this is close to a compulsory expansion: the custom-recorded sources give the instrument material its factory library does not contain, and the per-patch cost is effectively a rounding error. Producers outside scoring still get atmospheric, electronic and experimental range at a price below most single soundsets from other designers. What you are really buying is search time — 1,800 professionally built starting points standing between a blank project and a cue that is already moving.

The Rest Of The Shelf

The remaining twelve sets — Corvus, Cobalt, Snowfall, Gunk, Specto, Niebla, Fjall, Virtaus, Grotto, Altura, Irazu and Grafos — round out the bundle’s coverage across atmospheric, electronic, organic and experimental territory, so the library does not reduce to its three headline titles. The through-line is the production method: every set is built from custom-recorded sound sources made specifically for it, which is why the patches feel less like factory Omnisphere with new names and more like field work — acoustic material recorded, processed and rebuilt into playable instruments. For an underscore composer on a deadline, that translates into cues that start from distinctive raw material rather than from the same waveforms every other Omnisphere owner is browsing. Fifteen sets deep, the odds that a needed texture is already in the building are high.

The Deal

$39.99 instead of $99.99 for fifteen soundsets works out cheaper per set than a coffee, and per patch it is barely arithmetic at all. As an instant expansion of an Omnisphere library, nothing else in the store is close per sound — this is the board’s easiest bulk buy, and the one your future deadlines will thank you for.

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