XLN Audio Addictive Keys Complete – 9 Iconic Keyboards for $34.99

SKU: 30335551

Nine essential keyboards, deeply sampled, for $34.99: Addictive Keys Complete brings concert and studio grands, a Mark One suitcase Rhodes, Wurlitzer 200A, clavinet and more into one fast, playable instrument.

With 30+ built-in effects and a 500+ groove library, this is the keyboard shelf for songwriters and producers who need the right piano or electric piano in seconds.

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Description

Keyboards are the backbone of most songs, and they are also where sampled instruments most often disappoint — a piano that sounds fine alone and collapses in the mix, an electric piano with no bark when you dig in. Addictive Keys Complete is XLN Audio’s answer: nine meticulously sampled instruments in one package, including concert and studio grand pianos, the Mark One suitcase Rhodes, a Wurlitzer 200A and a clavinet, captured with multi-layer sampling so the character changes with your touch the way the real instruments behave.

The Instruments

The grand pianos cover the songwriter’s core needs — a concert grand for the exposed ballad and cinematic work, a studio grand voiced for sitting inside a production. The electrics are the soul of the collection: the Mark One’s warm, bell-like suitcase Rhodes tone that underpins decades of soul, R&B and jazz; the Wurlitzer 200A’s reedier, more aggressive voice that cuts where a Rhodes floats; and the clavinet, the funkiest keyboard ever built, for parts that need rhythmic bite. Around them sit the collection’s remaining keyboards, extending the palette across vintage and modern tones — nine instruments in total, over 10GB of high-resolution samples, all velocity-sensitive with adjustable mechanical noise so the key thumps and pedal sounds that make a part feel recorded stay under your control.

Playability and the Effects Rack

Addictive Keys is engineered for response: low CPU load, fast loading and a dynamic engine that keeps the instrument feeling alive under your fingers, including in low-latency live use. The built-in rack carries more than 30 studio effects — phaser, chorus, tape echo, reverb and more — so a dry grand can become a lo-fi texture or a Rhodes can pick up exactly the tremolo the track wants without leaving the plugin. Split and layer modes combine two instruments, so Rhodes-plus-strings or piano-plus-pad textures are one preset rather than a routing project. The MIDI groove library adds 500-plus patterns across pop, blues and cinematic styles with drag-and-drop into your timeline, and custom presets save your setups for instant recall.

Who It Serves

Songwriters who need an emotional piano part now, not after a library expedition. Beatmakers layering Wurlitzer stabs and Rhodes chords under modern drums. Film and media composers whose cues need keys with genuine character. Live performers streaming or gigging with a laptop rig, where load times and latency are not negotiable. Addictive Keys Complete runs as VST, AU and AAX (64-bit) on Windows 7/10/11 and macOS 10.12+, inside Ableton Live, FL Studio, Logic Pro, Cubase, Pro Tools and every other major DAW.

The comparison producers usually make is against the giant multi-instrument libraries, and the honest difference is intent. A general library gives you keyboards as one category among fifty; Addictive Keys is nine keyboards sampled and engineered as the whole point, which shows in the playability — the velocity response, the mechanical detail, the way the instruments take effects. It also shows in session speed: the right keyboard is two clicks away, it loads immediately, and it sounds like a record before you process it. For writers whose songs are built on keys, that immediacy is the feature everything else supports.

The Deal

Nine keyboards for $34.99 is under four dollars an instrument — for sampled grands and electrics of a quality that producers credit on real releases. One purchase covers the piano and electric-piano duties of an entire studio, permanently, with no expansion required to reach the good sounds: they are all in this edition. Instant delivery, and the first chord you play will make the case.

The split and layer modes deserve a final mention: two of these instruments stacked — a grand under a Rhodes, a Wurlitzer against a clav — are how single keyboard tracks start sounding like arrangements.

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